图片文件尺寸 : 4260 x 3427px
弗雷德里克·摩根的温柔提醒-Frederick Morgan
Gentle Reminder--Frederick Morgan (英国, 1847 – 1927)
图片文件尺寸 : 4260 x 3427px
弗雷德里克·摩根的温柔提醒-Frederick Morgan
Gentle Reminder--Frederick Morgan (英国, 1847 – 1927)
图片文件尺寸 : 2373 x 2920px
爱德华·安东·波蒂耶耶的《温柔劝导》-Edward Antoon Portielje
Gentle Persuasion--Edward Antoon Portielje (比利时, 1861-1949)
图片文件尺寸 : 3503 x 4264px
吉尔伯特·斯图亚特·牛顿的《温柔的学生》-Gilbert Stuart Newton
The Gentle Student--Gilbert Stuart Newton (英国, 1794–1835)
图片文件尺寸 : 2807 x 3567px
克里斯托弗·阿特金森牧师的《猎鹰温柔的肖像》-The Reverend Christopher Atkinson
Portrait Of A Falcon Gentle--The Reverend Christopher Atkinson (英国, 1754-1795)
图片文件尺寸 : 2748 x 1865px
埃德温·奥斯汀修道院的《温柔的夜莺!》素描-Edwin Austin Abbey
Sketch for O the Gentle Nightingale!--Edwin Austin Abbey (美国, 1852 - 1911)
图片文件尺寸 : 2146 x 3407px
彼得·纽威尔(Peter Newell)说:“他温柔而愚蠢的脸上闪现出淡淡的笑容,开始了-Peter Newell
With a faint smile lighting up his gentle, foolish face, he began..--Peter Newell (美国, 1862 – 1924)
图片文件尺寸 : 3774 x 4260px
雅各布·萨洛蒙兹(Jacob Salomonsz)的《清风拂面前,一片海口上有薄片的场景》-Jacob Salomonsz. van Ruysdael
An Estuary Scene With Smalschips On A Broad Reach Before A Gentle Breeze--Jacob Salomonsz. van Ruysdael (荷兰, circa 1630–1681)
图片文件尺寸 : 4260 x 3427px
弗雷德里克·摩根的温柔提醒-Frederick Morgan
温和的提醒--Frederick Morgan (英国, 1847 – 1927)
图片文件尺寸 : 4684 x 4402px
SHAKESPEARE, WILLIAM. 1564-1616.:The Merchant of Venice. London: Printed by Tho. Cotes, 1632.
Folio (296 x 204 mm). 22 pp, numbered 163-184. Red morocco, antique, spine titled in gilt, covers ruled in gilt.
\"THE QUALITY OF MERCY IS NOT STRAINED.
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest:
It blesseth him that gives and him that takes.\"
The 1632 Second Folio printing of one of Shakespeare\'s greatest, and most controversial, comedies, containing one of the greatest of his speeches, Portia\'s plea to Shylock on \"the quality of mercy.\"
莎士比亚,威廉。1564-1616. 威尼斯商人。伦敦:Tho印刷。科茨,1632年。
图片文件尺寸 : 5281 x 4104px
AFTER KATSUKAWA SHUNSHO (1726-1792):Standing Beauty
Edo period (1615-1868), 18th/19th century
The painting of ink, colors, and gold on silk, depicting a standing beauty, her lips parted in a gentle smile exposing her ohaguro blackened teeth, her outer kimono decorated in flowers and folding fan faces, red and gold threads hanging from several parts of her kimono almost flamelike; signed Katsu Shunsho ga and an unidentified seal
With double wood tomobako storage box, the lid of the interior box inscribed in gold lacquer Shunsho hitsu tachi bijin no zu (Picture of standing beauty brushed by Shunsho)
38 3/4 x 12 5/8in (98.4 x 32cm)
源自KATSUKAWA SHUNSHO(1726-1792) 站立的美丽江户时期,18/19世纪
图片文件尺寸 : 4036 x 3791px
TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high
TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪
下载TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪大图