6. 彼得·纽威尔(Peter Newell)说:“他温柔而愚蠢的脸上闪现出淡淡的笑容,开始了 高清作品[87%]

With a faint smile lighting up his <em>gentle</em>, foolish face, he began..-

图片文件尺寸 : 2146 x 3407px

彼得·纽威尔(Peter Newell)说:“他温柔而愚蠢的脸上闪现出淡淡的笑容,开始了-Peter Newell

With a faint smile lighting up his gentle, foolish face, he began..--Peter Newell (美国, 1862 – 1924)

下载彼得·纽威尔(Peter Newell)说:“他温柔而愚蠢的脸上闪现出淡淡的笑容,开始了大图

7. 雅各布·萨洛蒙兹(Jacob Salomonsz)的《清风拂面前,一片海口上有薄片的场景》 高清作品[86%]

An Estuary Scene With Smalschips On A Broad Reach Before A <em>Gentle</em> Breeze-

图片文件尺寸 : 3774 x 4260px

雅各布·萨洛蒙兹(Jacob Salomonsz)的《清风拂面前,一片海口上有薄片的场景》-Jacob Salomonsz. van Ruysdael

An Estuary Scene With Smalschips On A Broad Reach Before A Gentle Breeze--Jacob Salomonsz. van Ruysdael (荷兰, circa 1630–1681)

下载雅各布·萨洛蒙兹(Jacob Salomonsz)的《清风拂面前,一片海口上有薄片的场景》大图

9. 莎士比亚,威廉。1564-1616. 威尼斯商人。伦敦:Tho印刷。科茨,1632年。 高清作品[51%]

The Merchant of Venice. London: Printed by Tho. Cotes, 1632.

图片文件尺寸 : 4684 x 4402px

SHAKESPEARE, WILLIAM. 1564-1616.:The Merchant of Venice. London: Printed by Tho. Cotes, 1632.
Folio (296 x 204 mm). 22 pp, numbered 163-184. Red morocco, antique, spine titled in gilt, covers ruled in gilt.

\"THE QUALITY OF MERCY IS NOT STRAINED.
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest:
It blesseth him that gives and him that takes.\"

The 1632 Second Folio printing of one of Shakespeare\'s greatest, and most controversial, comedies, containing one of the greatest of his speeches, Portia\'s plea to Shylock on \"the quality of mercy.\"

莎士比亚,威廉。1564-1616. 威尼斯商人。伦敦:Tho印刷。科茨,1632年。

下载莎士比亚,威廉。1564-1616. 威尼斯商人。伦敦:Tho印刷。科茨,1632年。大图

10. 源自KATSUKAWA SHUNSHO(1726-1792) 站立的美丽江户时期,18/19世纪 高清作品[50%]

Standing BeautyEdo period , 18th/19th century

图片文件尺寸 : 5281 x 4104px

AFTER KATSUKAWA SHUNSHO (1726-1792):Standing Beauty
Edo period (1615-1868), 18th/19th century
The painting of ink, colors, and gold on silk, depicting a standing beauty, her lips parted in a gentle smile exposing her ohaguro blackened teeth, her outer kimono decorated in flowers and folding fan faces, red and gold threads hanging from several parts of her kimono almost flamelike; signed Katsu Shunsho ga and an unidentified seal
With double wood tomobako storage box, the lid of the interior box inscribed in gold lacquer Shunsho hitsu tachi bijin no zu (Picture of standing beauty brushed by Shunsho)
38 3/4 x 12 5/8in (98.4 x 32cm)

源自KATSUKAWA SHUNSHO(1726-1792) 站立的美丽江户时期,18/19世纪

下载源自KATSUKAWA SHUNSHO(1726-1792) 站立的美丽江户时期,18/19世纪大图

11. TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪 高清作品[44%]

A gold lacquer four-case inro and matching ojimeEdo period  or Meiji era , and Showa era , 20th century

图片文件尺寸 : 4036 x 3791px

TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high

TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪

下载TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪大图